PREFACE:
Alchemy is known as "The Great Work".
The ultimate goal of alchemy, as I understand it, is to
produce life from death, the highest form of essence from the lowest. This
idea, in a graphic sense, reminded me of a pyramid. It occurred to me that
The Great Work, as far as I know, has not been accomplished and the Great
Pyramid is missing the Capstone. Could there be a connection?
The absence of the Capstone may represent the unfinished
Great Work. When The Great Work is accomplished perhaps the Capstone will
appear. In other words, the accomplishment of the Great Work will signify
that the time has arrived for the Capstone to be constructed atop the now
flat summit of the Great Pyramid. Legend has it that the Capstone once
existed and that it was made of gold. What may have become of it, if it
did exist, is not known. It is true, however, that the Egyptian government
had built a capstone sheathed in a gold leaf material in the 1990s and
planned to lower it into place atop the Great Pyramid as part of a New
Millenium celebration for the year 2000. This did not happen. Different
reasons were given as explanations of why it didn't happen. One explanation
is that it might cause some damage to the upper structure of the pyramid
itself. Regardless of the explanations, the fact is that the Great Pyramid
still does not have a capstone. What is more interesting, relative to our
alchemy theme being discussed here, is that the capstone is to be made
of gold. This lends even more credence to our alchemy scenario because
one of the goals of alchemy was to be able to change lead into gold. The
reason for doing this was not for the monetary value of the gold. Such
an accomplishment, that of turning the base metal of lead into gold, was
a sign of successfully understanding the Great Secret of alchemy. Once
the Great Secret was known, one could move on to the next step, the true
ultimate goal of alchemy: creating life out of death or, in other words,
Resurrection and eternal life or, in another sense, "ascension"
to a higher realm of consciousness; "Christ Consciousness" as
it is sometimes referred to. In this study we will look at some English
gematria related to this idea.
What can be learned from applying English gematria to
the subject of alchemy or to anything else for that matter? Isn't it just
"coincidence" that these phrases match up by their corresponding
alphanumeric values? It's a fair question and one I've asked myself many
times over the years. At this point I'm inclined to think it's not all
just a matter of random chance, or what is thought of as meaningless coincidence.
"Meaningless" is the key word in the previous sentence. The word
"coincidence" may be accurate but in a special way. I'm inclined
to think we are dealing with "meaningful" coincidence or what
the famous Swiss psychologist, Carl Jung, called "synchronicity".
This paper is not the place to launch into a long explanation of what synchronicity
is and how it functions. Suffice to say here I think this is what we are
dealing with. The meaningfulness of the phrases may not even be entirely
subjective. It may actually have an objective component. There may be a
deeper level of correspondence going on here in which the meaningfulness
is derived from some archetypal realm, some "cosmic blueprint"
or "matrix of meaning" that exists outside of our individual
consciousness. Such was the understanding behind the ancient art of gematria
as practiced by the Hebrew and Greek mystics. That the English alphabet
could be applied in a similar manner has long been a matter of controversey
with many "gematria fundamentalists" saying it probably can't
work. My exploration of this phenomenon, however, has provided enough evidence
to me to suggest otherwise. This paper will go a ways toward demonstrating
why I think there is more to it than mere meaningless coincidence.
As to the question of what we can learn from it my response
is that it does not seem to magically supply overt answers to whatever
topic is being worked on. Rather, it seems to provide a sort of labyrinth
to be wandered through and contemplated. Along the way one may discover
what appear to be clues as to the direction one should turn in order to
find the right path leading to more clues and eventually, one would hope,
to some enlightened revelations related to whatever subject matter is being
explored. In short, the use of gematria might be thought of as a meditational
guide.
Those who are familiar with my work will recall that I
tend to focus on gematria numbers that reduce to the single digit value
of 9 (e.g., 144 as 1+4+4=9, or 666 as 6+6+6=18, 1+8=9). The reason for
giving special attention to the "nine thing", as I sometimes
call it, has to do with sacred geometry and a particular canon of sacred
numbers found throughout the texts, myths, and legends of ancient times.
While not all of the numbers in this study reduce to the
value of 9, the majority of them do (27, 63, 81, 90, 108, 117, 126, 135,
144, 153, 171, 189, 198, 207, 225, 243, 252, 261, 279, 288, 297, 306, 333,
360, 369, 387, 396, 405, 414, 423, 432, 441, 477, 495, 504, 522, 531, 558,
576, 630, 747, 1251, 2502). The other numbers, however, should not be considered
of lesser importance in this study. The key issue here is to note how the
numbers (the alphanumeric values of the phrases) associate themselves with
phrases which share close relationships with one another.
For those not familiar with how I present the phrases
with matching values, here is an example:
THE GREAT WORK = 151 = JESUS CHRIST = ENERGY OF
LIGHT
This simply means that, by applying the serial gematria
system of A=1 through Z=26, the value of the first phrase is 151 and the
phrases that follow the "=" symbol have the same value. This
will be the format used throughout this paper.
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THE GEMATRIA WORK:
THE CAPSTONE = 126
ONE TWO SIX = 144
(For an explanation of the significance of the words ONE
TWO SIX, the reader is directed to my web page: The
Remarkable AlphaNumber Table)
Estimates vary regarding the size of the base of the missing
capstone or, perhaps more accurately, the dimensions of the summit of the
Great Pyramid where the Capstone would sit. One estimate is 44 feet per
side. This would make sense in terms of our English gematria because of
the equation above which reveals the number 144. Here is why the 44 feet
would correspond:
FORTY FOUR = 144 = THE GOLD STONE
There is, however, another option. The measurement could
be 45 feet.
FORTY FIVE = 126
ONE TWO SIX = 144
The following gematric equations support the idea of relating
alchemy to the Great Pyramid.
THE CAPSTONE IS THE GREAT UNFINISHED WORK = 414
= ALCHEMICAL TRANSMUTATION WITHIN THE BODY = THE THREE ALCHEMICAL TRANSMUTATION
TONES = THE DNA HEALING CODE GEOMETRY OF THE DOUBLE HELIX
THE THREE PYRAMIDS OF GIZA ARE THE THREE TONES = 444
= 12 = 3
ALCHEMY OF LIGHT = 144
This fits nicely with the historical record which tells
us that the Great Pyramid was once completely covered with 144,000 sheets
of highly polished limestone, thus causing the entire monument to gleam
like a blazing light in the sun.
The word, pyramid, could be broken into pyra and mid,
where pyra may be a form of the word pyre which is basically a funeral
fire and mid may imply "middle", thus pyramid could mean "fire
in the middle".
THE CENTRAL FIRE = 144 = FIRE OF CREATION
The idea of a "fire of creation" works well
in contrast to the idea of funeral fire in that now the pyramid can be
seen to suggest the alchemical notion of "Life out of Death".
ONE HUNDRED FORTY FOUR IS THE LIGHT = 369 = CHRIST
CONSCIOUSNESS IS THE LIGHT = DEOXYRIBOSE NUCLEIC ACID CODE IS THE LIGHT
The above phrase (ONE HUNDRED FORTY FOUR IS THE LIGHT)
works well as the number 144 is known esoterically as "the light number".
----------------------------------------------------------------------------------------------------------------
The notion of "tone" is a common theme that
I've been exploring. Again this is not the place to expand on that particular
subject. However, just so the reader may have at least a small insight
as to how it fits into the bigger picture in terms of the gematria we can
observe the following:
TONE = 54 = BREATH = VOICE = NOTE (Notice 54 is
a "9" number)
TONES = 73 = SOUND = NUMBER (Notice the idea of
"number" can relate to the frequency of sound)
THE THREE TONES = 162
ONE SIX TWO = 144
----------------------------------------------------------------------------------------------------------------
If the Great Work (alchemy) is truly a quest for the secret
of resurrection or the "ascension" of the "light body",
it would make sense that it would somehow relate to the historical icon
of resurrection, Jesus Christ. And so it does:
THE GREAT WORK = 151 = JESUS CHRIST = ENERGY OF
LIGHT = ENERGY+MATTER
ONE FIVE ONE = 110 = THE CHRIST = THE SANG REAL
This number 151, and it's corresponding phrases, is extremely
interesting especially in the context of this study. The story of alchemy
has a strong connection to a village called Rennes le Chateau located in
the South of France. This area of France is the focus of the legend in
which it is said Mary Magdalene arrived here following the crucifiction
of Jesus. The legend has it that she and Jesus had been lovers and that
she birthed the child of their union here in this general location. The
area is steeped in mystery concerining this event and the involvement of
the Knights Templar in preserving "a great secret" or perhaps
"a great treasure", or perhaps both if the secret and the treasure
were one thing: the Holy Grail. But then the question arises, just what
was the Holy Grail? Because of a particular liguistic anomaly it turns
out the Holy Grail may have been the Magdalene herself. In French the words
Holy Grail are Saint Graal. This spelling could have been the result of
a mispronunciation of Sang Réal which means Blood Royal. Thus the
Holy Grail was the womb of Mary Magdalene carrying the Royal Blood of Jesus.
Our gematria reveals an astonishing correspondence related to these ideas:
JESUS CHRIST = 151 = RENNES LE CHATEAU = SOUTH
OF FRANCE = JESUS SANG REAL = JESUS IS LORD = LORD OF HOSTS = CHRIST THE
KING = ENERGY OF LIGHT = ENERGY+MATTER = CROSS OF LIGHT = THE SACRIFICIAL
LAMB = BALANCE OF MALE AND FEMALE = HOUSE OF MAGDALENE = THE NINE ROSES
= THE GREAT WORK
And, as noted already above, ONE FIVE ONE = 110
= THE CHRIST = THE SANG REAL
We might note also that combining the numbers 151
and 110 gives us a sum of 261 (2+6+1=9).
TWO SIX ONE = 144 = NINE IS THE KEY
Moreover, if we calculate the difference between 151
and 110 we get 41 which is the gematria value of the words
KING, LOCK, and KEY, three words potent with symbolism.
THE NUMBERS OF THE GREAT WORK = 297 = NINE IS THE
CODE OF THE UNIVERSE
It is interesting to note that the Knights Templar were
probably keepers of some of the secrets of alchemy and that the original
core group of these knights consisted of 9 members only. Note that the
number 297 reduces to the single digit value of 9 (2+9+7=18,
1+8=9)
When I convert each of the numerals 1 through 9 into the
words ONE through NINE, I call those words "alphanumbers".
They can be divided up into three sets: (1) ONE TWO SIX, (2) THREE
SEVEN EIGHT, and (3) FOUR FIVE NINE (again, see explanation
at http://hometown.aol.com/codeufo/alphatable.html). Having found that
the alphanumbers, FOUR, FIVE, NINE, as well as ONE, TWO, SIX,
seem to be of some primary significance , I wondered how they might fit
into the Alchemy theme. First I tried using a phrase incorporating the
full sets:
THE NUMBERS OF THE GREAT WORK ARE FOUR FIVE NINE = 465,
not a recognizable sacred number.
But I found, oddly enough, that if I constructed the phrases
using only two alphanumbers at a time, resulting in three pairs, then the
sum of the phrases came out to a number that reduced to 9. If a
number reduces to 9 it likely fits into the sacred number matrix
at some level. These are the results:
THE NUMBERS OF THE GREAT WORK ARE FIVE NINE = 405
= 9
THE NUMBERS OF THE GREAT WORK ARE FOUR NINE = 423
= 9
THE NUMBERS OF THE GREAT WORK ARE FOUR FIVE = 423
= 9
405+423+423 = 1251
The second set (consisting of ONE TWO SIX) resulted
in phrases without "9" values but the total was the same:
THE NUMBERS OF THE GREAT WORK ARE ONE TWO = 413
THE NUMBERS OF THE GREAT WORK ARE TWO SIX = 431
THE NUMBERS OF THE GREAT WORK ARE ONE SIX = 407
413+431+407 = 1251
1251 + 1251 = 2502
I decided to divide the 2502 by 6, the number of phrases
that produced it. This process often leads to more information:
2502 / 6 = 417 = 12
TWELVE IS THE KEY = 189 = CHRIST CONNECTION = REINCARNATED
CHRIST= THE BEGINNING AND THE END = I AM FIRST AND I AM LAST = JESUS IS
THE SUN
HUMAN REINCARNATION = 198 (Note reversal of 89
to 98)
REVERSE THE NUMBER = 198 = THE RESURRECTION = THE
ALCHEMY OF CHRIST
THE RESURRECTION CODE = 225 = DEOXYRIBOSE NUCLEIC ACID CODE = DOUBLE HELIX GEOMETRY = THE KEY TO OPEN THE GATE
Note: Deoxyribose Nucleic Acid is the full scientific
name from which we get the acronym, DNA.
THE THREE DIGIT PROTOCOL = 252 = CHRIST CONSCIOUSNESS
= ONE HUNDRED FORTY FOUR = ONE HUNDRED SEVENTY ONE
NOTE: Reduce the 4-digit numbers to 3-digits by combining
the middle two digits:
1251 then becomes 171, and 2502 becomes 252)
THE THREE DIGIT PROTOCOL CODE = 279 = ALCHEMICAL
TRANSMUTATION CODE
CODE FOUR FIVE NINE = 171 = THE CODE OF FREE WILL
= THE ENCODED PROGRAM = DIVINE GEOMETRY
ONE HUNDRED SEVENTY ONE = 252
_____________________________________________________________________
According to paranormal/occult researcher, Lionel Fanthorp,
alchemists believed the 4 elements were crucial to the secret of alchemy
and that part of the goal of alchemy was to learn the secret of creating
the "fifth element". Fanthorp said they believed "Christ
embodied the fifth element" and that Christ represented "the
perfect balance" of the four elements. To me, this seems to imply
that the fifth element may actually be the product of the four elements
combined. I took this information and subjected it to gematria and found
amazing correlations with these ideas:
CHRIST IS THE FIFTH ELEMENT = 261
TWO SIX ONE = 144 = THE PERFECT BALANCE
CHRIST IS THE PERFECT BALANCE OF FOUR ELEMENTS = 423
= THE NUMBERS OF THE GREAT WORK ARE FOUR FIVE
THE ANTICHRIST IS THE SIXTH ELEMENT = 369
FIVE ELEMENTS = 135
FOUR ELEMENTS = 153 = SECRET WISDOM = THE KINGDOM
OF GOD = THE HOLY KEYS = THE PLANET EARTH = EXOTIC MATTER = HARMONIC WORLD
135 + 153 = 288 = 144 x 2
ELEMENT = 74 = JESUS = LUCIFER = ENERGY = ELEMENT
The four elements are usually called EARTH, AIR, FIRE,
WATER. Something interesting showed up with these:
EARTH + AIR + FIRE + WATER = 185, not a particularly
meaningful number. What if we add CHRIST as a fifth element?
EARTH + AIR + FIRE + WATER + CHRIST = 259, again
not a meaningful number in this context.
But if we substitute EARTH with its ancient "sacred"
name, GAIA, then we have something:
GAIA + AIR + FIRE + WATER = 151 = JESUS CHRIST
= THE GREAT WORK
And now adding CHRIST:
GAIA + AIR + FIRE + WATER + CHRIST = 225 = DEOXYRIBOSE
NUCLEIC ACID CODE = DOUBLE HELIX GEOMETRY =THE KEY TO OPEN THE GATE
_____________________________________________________________________
THE NINE REINCARNATIONS OF CHRIST = 333 = THE VIBRATIONAL
FREQUENCY OF NINE = TWENTY SEVEN IS THE CODE NUMBER
THREE THREE THREE IS THE BALANCE OF GOOD AND EVIL = 396
NINE AGES = 74 = JESUS = LUCIFER = ENERGY = ELEMENT
ONE TWO SIX FOUR FIVE NINE ARE THE CODE KEYS = 432
(a sacred number in Hindu lore)
1+2+6+4+5+9 = 27 = CODE
YHVH = 63 = DIVINE
YHVH CODE = 126 = DIVINE CODE
YHVH CODE WITHIN THE BODY = 288 = DIVINE CODE WITHIN
THE BODY
YHVH WITHIN THE DNA = 198 = THE GOLDEN MEAN SPIRAL
= THE RESURRECTION
ALCHEMY = 67 = ALCHEMICAL
ONE TWO SIX FOUR FIVE NINE ARE THE ALCHEMICAL NUMBERS
= 504
ALCHEMICAL TRANSMUTATION = 252 = CHRIST CONSCIOUSNESS
= ONE HUNDRED FORTY FOUR = ONE HUNDRED SEVENTY ONE = DEOXYRIBOSE NUCLEIC
ACID CODE
ALCHEMICAL TRANSMUTATION WITHIN THE BODY = 414 = THE THREE ALCHEMICAL TRANSMUTATION TONES = THE DNA HEALING
CODE GEOMETRY OF THE DOUBLE HELIX
THE DNA HEALING CODE = 135 = DNA CODE SEQUENCE
= THE SPIRAL CODE
THE DNA HEALING CODE GEOMETRY = 243
THE DNA HEALING CODE GEOMETRY WITHIN THE BODY = 405
THE ALCHEMICAL TRANSMUTATION OF DEOXYRIBOSE NUCLEIC ACID
= 558
While there are four chemical elements (Oxygen, Hydrogen,
Nitrogen, Carbon) that make up our DNA, Braden's "God Code" hypothesis
maintains that the Hebrew letters, YHVH, equate to only three of them:
Oxygen, Hydrogen, Nitrogen. Interestingly, these three produce a significant
alphanumeric sum whereas the inclusion of Carbon renders the sum number
meaningless. Perhaps this indicates that these three chemical elements
are the key elements involved in the alchemical transmutation process.
OXYGEN = 90
HYDROGEN = 96
NITROGEN = 102
90 + 96 + 102 = 288 = 144 x 2
THE THREE ALCHEMICAL TRANSMUTATION TONES WITHIN THE BODY
= 576 = 288 x 2
ALCHEMICAL TRANSMUTATION CODE = 279 = GEOMETRY OF THE
DOUBLE HELIX
ALCHEMICAL TRANSMUTATION TONE = 306
THE ALCHEMICAL CODE IS THE GREAT WORK = 306
ALPHANUMERIC TRANSMUTATION = 306
THE NINE TRANSMUTATION CODES = 306
JEHOVAH ETERNAL WITHIN THE BODY = 306
CHRIST IS THE KEY TO ETERNAL LIFE = 306
BASE ALCHEMICAL TRANSMUTATION CODE = 306
HVH IS THE ANDROGYNOUS BASE CODE = 306
One source states that the Hebrew letters HVH can be seen
to equate with the English letters EVE, thus implying the feminine portion
of the tetragrammaton. Alchemy is, among other things, an attempt to merge
the male and female energies to produce an androgynous energy. Perhaps
YHVH represents this androgynous, undivided condition or state of being.
ANDROGYNOUS = 153 = HVH IS THE BASE CODE = FLESH
BLOOD AND BONE = THE GOLDEN RATIO
HVH IS THE BASE ALCHEMICAL TRANSMUTATION CODE = 405
= THE DNA HEALING CODE GEOMETRY WITHIN THE BODY
Y IS THE KEY LETTER = 207 = YHVH IS A CODE PROGRAM
= ANDROGYNOUS BASE CODE
Y IS THE KEY LETTER OF THE ALCHEMICAL TRANSMUTATION CODE
= 540
THE ALPHANUMERIC TRANSMUTATION OF THE THREE TONES = 522
(sum of The AlphaNumber Table)
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THE TRANSMUTATION OF THE SERPENT = 369 = ONE HUNDRED FORTY FOUR IS THE LIGHT = CHRIST CONSCIOUSNESS IS
THE LIGHT = DEOXYRIBOSE NUCLEIC ACID CODE IS THE LIGHT
THE TRANSMUTATION OF THE SERPENT CODE = 396
BINARY = 69
BINARY CODE = 96
REVERSE THE CODE NUMBER = 225 = DEOXYRIBOSE NUCLEIC
ACID CODE = DOUBLE HELIX GEOMETRY
-------------------------------------------------------------------------------------------------------------
NINE IS THE ALCHEMICAL NUMBER = 243 = FIVE IS THE
ALCHEMICAL NUMBER
FOUR IS THE ALCHEMICAL NUMBER = 261 = ONE TWO SIX
ARE THE KEYS = FOUR FIVE NINE ARE THE KEYS
243 + 261 = 504 = ONE TWO SIX FOUR FIVE NINE ARE
THE ALCHEMICAL NUMBERS
243 + 243 + 261 = 747
ONE IS THE ALCHEMICAL NUMBER = 235
TWO IS THE ALCHEMICAL NUMBER = 259
SIX IS THE ALCHEMICAL NUMBER = 253
235 + 259 + 253 = 747
FOUR FIVE NINE ARE THE CODE KEYS = 288
ONE TWO SIX ARE THE CODE KEYS = 288
288 + 288 = 576 = THE THREE ALCHEMICAL TRANSMUTATION
TONES WITHIN THE BODY
The above equation indicates three tones, yet there are
six alphanumbers involved (ONE TWO SIX FOUR FIVE NINE). Three tones
would not seem to make sense if each alphanumber is considered as one tone.
But the phrases do not always necessarily mean exactly what they say. They
seem more like clues giving us direction but inviting us to look deeper
into the process of trying to put together the big picture. It's like a
seek-and-ye-shall-find type of persuit. The clues are within clues, in
many layers. In our example here we looked deeper and realized the six
alphanumbers (ONE TWO SIX FOUR FIVE NINE) need not be divided into the
two natural sets in this case. They could be divided into three sets. For
example: ONE-TWO, SIX-FOUR, FIVE-NINE. Now we could see these three sets
as THE THREE ALCHEMICAL TRANSMUTATION TONES WITHIN THE BODY. How
the alphanumbers relate to "tones" is still a mystery. Perhaps
"tones" is a metaphor for something else? Perhaps the "tones"
might be "words". If so, the three words might relate to the
three chemical elements, OXYGEN, HYDROGEN, NITROGEN.
THE ALCHEMICAL CODE NUMBERS ARE ONE TWO SIX FOUR FIVE
NINE = 531 = ONE TWO SIX FOUR FIVE NINE IS THE YHVH OF THE ALPHABET
= ONE TWO SIX FOUR FIVE NINE ARE THE SIX KEY NUMBERS = THE ALCHEMICAL TRANSMUTATION
OF DEOXYRIBOSE NUCLEIC ACID
YHVH is said to be the name of God. But perhaps that definition
is a metaphor also. Perhaps YHVH is the name of an encrypted program.
YHVH IS A CODE PROGRAM = 207 = ANDROGYNOUS BASE
CODE = THE NUMBER OF THE BEAST
YHVH IS AN ENCRYPTION PROGRAM = 333 = THE NINE
REINCARNATIONS OF CHRIST = THE VIBRATIONAL FREQUENCY OF NINE = TWENTY SEVEN
IS THE CODE NUMBER
JESUS IS THE SEED OF ALCHEMICAL TRANSMUTATION = 441
(reverse 144)
THE ALCHEMICAL RESURRECTION OF JESUS = 360 = THE
TREE OF THE KNOWLEDGE OF GOOD AND EVIL = CONSCIOUSNESS TRANSMUTATION =
THE THREE LEVELS OF CONSCIOUSNESS
THE ALCHEMICAL TRANSMUTATION OF CHRIST CONSCIOUSNESS =
558
ONE TWO SIX FOUR FIVE NINE ARE THE CODE KEYS = 432
THE DNA ALPHABET = 117 = COMMUNICATE = ALCHEMICAL
APPLE
THE DNA OF THE ALPHABET = 171 = THE ALPHABET NUMBER
= THE CREATION OF LIFE = DIVINE GEOMETRY = POSITIVE LIGHT = STONE OF POWER
117 + 171 = 288 = FOUR FIVE NINE ONE TWO SIX
117 = NEGATIVE DARK
171 = POSITIVE LIGHT
ALCHEMICAL PENTAGRAM = 162
ONE SIX TWO = 144 = ALCHEMICAL APPLE CODE
THE APPLE IS THE ALCHEMICAL KEY = 252 = ALCHEMICAL
TRANSMUTATION = ONE HUNDRED FORTY FOUR = ONE HUNDRED SEVENTY ONE = DEOXYRIBOSE
NUCLEIC ACID CODE = CHRIST CONSCIOUSNESS
The apple works into the alchemy theme by way of the creation
story in Genesis and also in the fact that if an apple is sliced in half,
across its girth, one can see that it contains five seeds positioned pentagonally.
The sacred geometry of the pentagram plays a role in alchemical symbolism.
THE ALPHABET CODE IS ONE TWO SIX FOUR FIVE NINE = 441
(reverse 144)
DNA IS AN INFORMATION SYSTEM CREATED BY INTELLIGENCE =
495
FOUR NINE FIVE = 144
DNA IS A HOLOGRAPHIC SYSTEM = 261
TWO SIX ONE = 144
HOLOGRAPHIC UNIVERSE = 225 = DEOXYRIBOSE NUCLEIC
ACID CODE = DOUBLE HELIX GEOMETRY
GEOMETRY OF THE DOUBLE HELIX = 279
GEOMETRY CODE OF THE DOUBLE HELIX = 306 = JEHOVAH
ETERNAL WITHIN THE BODY
THE SPIRAL CODE = 135 = THE DNA HEALING CODE
THE DNA HEALING CODE GEOMETRY = 243
THE SPIRAL = 108 = GEOMETRY
TONE CODE = 81
THE TONE CODE = 114 = FREQUENCY
THE THREE TONES = 162 = THE CODE WITHIN DNA
ONE SIX TWO = 144
THE THREE TONES OF THE CODE = 243 = THE DNA HEALING
CODE GEOMETRY
THE SIX NUMBERS OF THE THREE TONES = 360 = CONSCIOUSNESS
TRANSMUTATION = THE THREE LEVELS OF CONSCIOUSNESS = THE TREE OF THE KNOWLEDGE
OF GOOD AND EVIL
The Philosopher's Stone, a fundamental element in alchemy,
was also called The Stone of the Wise.
THE STONE OF THE WISE = 216 = DIVINE ALPHABET OF
ALCHEMY
TWO ONE SIX = 144
In his book, The Mysteries of the Great Cross of Hendaye,
Jay Weidner discusses the sudden appearance of huge gothic cathedrals in
Western Europe beginning about the year 1000. The cathedrals incorporated
the secrets of sacred geometry in their design and construction.
Likewise, apparently some of the secrets of alchemy were incorporated
into the structures as well. One feature of the cathedrals that stands
out immediately is that of the tall, pointed spires. The gematria associated
with the cathedrals and the spires reveals some interesting matches:
CATHEDRAL = 72 (the number associated with the
names of "God")
SPIRE = 67 = ALCHEMY = ALCHEMICAL
CATHEDRAL SPIRE = 139 = ENGLISH ALPHABET = GEMATRIA
ALPHABET
THE SEVEN CATHEDRALS = 189 = CHRIST CONNECTION
= REINCARNATED CHRIST= THE BEGINNING AND THE END = I AM FIRST AND I AM
LAST = JESUS IS THE SUN
CHURCHES+TONES = 158 = CATHEDRAL SPIRES
ALCHEMICAL SPIRES = 153 = ALPHABET OF ALCHEMY =
FLESH BLOOD AND BONE = THE GOLDEN RATIO
DIVINE ALPHABET OF ALCHEMY = 216 = GOD IS WITHIN
THE BODY = THE TONE WAS WITH GOD
ALCHEMICAL VORTEX = 171 = DIVINE GEOMETRY = POSITIVE
LIGHT = THE ENCODED PROGRAM = COUNTER SPIRAL = THE SEVEN TONES
THE SEVEN TONES OF THE SEVEN CATHEDRALS = 414 =
ALCHEMICAL TRANSMUTATION WITHIN THE BODY = THE THREE ALCHEMICAL TRANSMUTATION
TONES = THE DNA HEALING CODE GEOMETRY OF THE DOUBLE HELIX
